Development sketch, conceptual study on how figures vs. space vs overlapping transparency would take place. Development sketch, conceptual study on how figures vs. space vs overlapping transparency would take place. Study in composition and concept.Detail, study in composition and concept. Axonometric. The Annunciation, study of a 1430 painting by Lorenzo Monaco, a student of Sasetta.Study.Still life.[BLANK][BLANK][BLANK]Model, Basswood Carving of the Community of Monks. Model, Plan view, Inferno, Purgatory and Paradise.Model detail, plan view, Inferno, Purgatory and Paradise. Final model, plan view. Final model, plan view. Final model.Final model.Final model.Final model, elevation view. Photo, casting the Bronze Mode in the foundry, pouring of bronze through the gates.Photo, casting the Bronze Mode in the foundry, top: wax model with vents and gates.Photo, casting the Bronze Mode in the foundry, chasing of a metal cast. [BLANK][BLANK][BLANK]Development sketch.Development sketch. Development sketch. Development sketch. Development sketch. Development sketch. Development sketch. Development sketch. Development sketch. Development sketch. Development sketch. Installation polaroids. Installation polaroids. Installation polaroids.
Abstract
This thesis attempts to combine the symbolic and architectonic qualities in the painting "Funeral of Saint Anthony," 1436 by Master of Osservanza ,student of Sassetta, with the reading of Mark Musa's translation of Dante Aligheri's The Divine Comedy, 1300s.
Title
Funeral of St. Anthony and The Divine Comedy
Author
Tomczyk, Martin
Course
Thesis
Academic Year
1996–97
Semester
Spring
Faculty
Hejduk, John
Knox, Roderick
Sculley, Sean
Weile, Regi F.K.A. Goldberg
Faculty Text
NA
Rights
Creative Commons License

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